ICONOCLAST examines the world through the theistic pedagogy of eschatology, a science of the apocalypse. Rather than a religious conviction, the work defines the end times as the end of reality through the scope of Jean Bauldrillard’s ‘Hyper-Reality’. ​ Hyper-reality refers to the inability to separate real things from constructed things, or a confusion between them. A departure from an agreed-upon version of reality. The images within the series are treated as symbols to mark the end of reality, Simulacra of things we no longer understand.